The photographs themselves are extremely tender and filled with emotion. It also seems that the unique moments that have been documented would have likely been difficult to capture without such a close relationship to the subjects. This closeness to the subjects make some even look staged at first glance, however, this was not the case, with Alice adamant that she wanted to keep things as natural as possible.
“I guess when it came to the aesthetic I wanted to keep the images as real as I could, all photos were taken using no flash or lighting,” she says. “None of the photos were set up. I would wait for moments to happen – the camera became an extension of my arm.”
People are nearly always at the centre of Alice’s work, which was something that she gravitated towards as early as 11 when she got her first DSLR. “I just felt an innate compulsion to document what was around me, whether it be my friends, family or experiences, photography allowed me to do that,” she recalls.
She doesn’t feel that human stories like this should be a one-way street though: “I mainly photograph people and their stories, but when I’m photographing people I think it’s really important to collaborate with your subjects, to make them feel as much a part of the process as I do,” she says. “Even if this is talking and explaining your work and connecting with the subject on a more personal level.”
Ultimately it is something that Alice fundamentally enjoys, considering it a unique position to be in that she can distil people’s stories into an image. “I would say my work in general often explores relationships and narratives whether that be with me, each other or their own stories,” she explains. “I genuinely have a great interest in people and hearing their stories, and love being able to tell those stories in my photographs.”